Women doctors ARE better — at saving lives, and at motivating patients to save themselves.
But in medicine, no good deed goes unpunished. Women physicians pay a price. Better work takes more time. Doctors are paid per patient visit, per widget produced, no matter the quality of the care. There’s no ka-ching! in a life saved, or a life empowered.
The (mostly male) powers that be look at women physicians, and see slowpokes who waste their workday chatting with patients, while the speedier men seem to be doing the work. Building relationships? With patients? And their families? What for? Unprofessional!
So women docs become less-respected, second-class, part-timers. Like me.
I know men who are great doctors and great people. But, as with household chores, they get more credit for having any interpersonal skills at all than women do for black-belt level interpersonal diagnostic skills.
We read an excerpt of the opening scene of the play to introduce the characters, and then read a scene. I play NINA, Sheree Wichard plays MAMA and NELLIE MCKEAN, Ashley Turner reads the role of DR. CARISON, and Ingeborg Riedmaier reads STAGE DIRECTIONS.
When Ashley Turner contacted me this spring about featuring my essay “Plant Life” on Restoration Row, I thought my writing career was about over.
“Plant Life” was published ten long years ago.
Since then, I’ve written science journalism: about healthy buildings, and why Portland rats are special. But it’s hard to open doors to editors, as a freelance writer. Let alone finding homes for my creative writing, essays like “Plant Life” and the plays – I was ready to give up.
Creative people live in caves, isolated with our creations. When a fellow explorer like Restoration Row pokes their head in and says, ‘Hey! Hello there! Great work!’ – well, it brought my writing self back to life. So thank you, fellow healers. And thanks for sharing with me actor Sheree Wichard, who has proven to be a hard-working, inspiring muse.